Stills and Motion
\n\n\n Mixed Signals is the launch campaign for Fintech AI powered startup Deduction. I worked directly with the founders of the company to creatively concept, write, and execute their launch campaign. We created the character of \"Taylor\" together, and worked with a brilliant team to bring their brand to life.\n
\n\n\n I had the privilege of working with the iconic Taylor Hill on her launch campaign for her newest jewelry line, “Barrel,” with her company Stone Fruit. We only had two hours with Taylor to capture an entire commercial spot and still photography — and Taylor even said it was the “best elevator shoot she’s ever done.” I’ll take it!
\n I also did something I always try to do during the bidding process: I edited a 30-second reel sourced from dozens of films, shows, and commercials to match the agency’s storyline — setting the tone, pacing, and emotional mood I envisioned for the final piece.\n
Stills and Motion
Petals is a visual narrative that traces the arc of a relationship - its tenderness, tension, and eventual transformation. Shot in the rose garden at the New York Botanical Garden this past June, the series uses natural beauty as a metaphor. Surrounded by lush, almost dreamlike flora, the subjects are entangled not just with each other but with the quiet inner complexities of growth, decay, and renewal.\n\nThe symbolism of the rose garden was intentional. Roses speak of romance and sacrifice, of wisdom and fleeting beauty. When petals fall, they decompose into the soil, nourishing new life. This cycle mirrors how we experience love: mysterious in timing, often bittersweet, and essential to our evolution.\n\nWith only 90 minutes to shoot this at the Botanical Garden, I didn’t want to sacrifice quality, but knew we needed some motion!
Stills and Motion
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Stills and Motion
Stills and Motion
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\n\nAmassing over 700,000 views on YouTube and being shown throughout the 2025 US Open, “Train In Your Sleep” has been an ace for Eight Sleep.\n\nWe were filming at Oscar De La Hoya’s old mansion in Bel Air, CA. We only had Taylor for two hours, for this entire motion and stills campaign.\n\nThis was a dynamic and complex campaign, beautifully lensed by Logan Fulton and edited by Ethan Jacob.\n\nPendulum VFX was our VFX house and they were incredible.
\n On January 25, 2026, Winter Storm Fern swept through New York City, burying the streets beneath a foot of snow — the city’s most significant snowfall in half a decade.\n
\n As the city braced for disruption, two women moved freely through the storm, untouched by the chaos, draped in vintage fur coats and hats as if winter itself were an accessory.\n
\n “Fern” is not about disruption, but composure — a quiet refusal to be diminished by weather, circumstance, or expectation. It is a portrait of winter captured across 35mm, 16mm, and digital formats, where self-expression endures, elegance persists, and time is blurred.\n
Stills and Motion
Stills and Motion
\n A studio-driven portrait project rooted in restraint, presence, and performance. \n Shot with a fashion-forward sensibility and an emphasis on physicality, posture, and quiet character, the work balances precision with spontaneity inside the studio environment.\n
\n\n\n Official spot for Savvy Wealth’s AI product launch. This was an exciting opportunity to be trusted with Savvy’s biggest launch to date.
\n This campaign was executed by a fantastic team, and I can’t thank them enough for their contributions.\n